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It may, on the other hand, be helpful to consider using font types that are perceived as being legible. In this study, the font types that were perceived as being most legible were Courier, Comic, Verdana, Georgia, and Times.
Conclusion: First, no significant difference in actual legibility between the font types were detected. There were, however, significant differences in reading time, but these differences may not be that meaningful for most online text because these differences were not substantial.
Prestige and Private Press: Romain du Roi, Golden Type, Johnston's Railway Sans, Doves Type, Walker. Signage: William Caslon IV's sans serif, Trajan. Historical Script: Snell Roundhand, Robert Granjon's civilit, Excelsior Script. Experimental/expressive: Mistral, Beowolf, Dead History, Behrensschrift, Eckmannschrift, Neuland, Element, Remedy, Template Gothic.
Serif Fonts Serif Fonts, Sub-Categorised Sans Serif Fonts Typewriter Fonts Calligraphical and Handwritten Fonts Uncial Fonts Blackletter Fonts Other.
The name Europe was also discussed; but Charles Peignot had international sales plans for the typeface and had to consider the effect of the name in other languages. Monde was unsuitable for German, in which der Mond means "the moon".
Erich Alb comments: With a Frutiger condensed Type and illuminated signs during night it is mutch better readable. Nami (2008) is a chiseled-stone sans family, made with the help of Linotype's Akira Kobayashi. Neue Frutiger (2009, with Akira Kobayashi) has twice as many weights as.
Poster by Devin Lindsay. Glypha (1979, Stempel). See Gentleman in the Scangraphic collection). Icne (1980-1982, Stempel, Linotype). Digitized by Linotype in 2003. Breughel (1982, Stempel; 1988, Linotype). Dolmen. Tiemann. Versailles (1983, Stempel). Linotype Centennial (1986).